This is the "sister" painting to "Melanin Symmetry" in that essentially all of the central colors of this painting are included in the other piece. Hues were chosen based on the many different skin tones of human complexions with my intention to illustrate how something beautiful can come out of a collaboration of diverse complexions. The ombre dark silver metallic edging was intended to "spotlight" the central diamond of the many tones and the impasto cutouts were added to unify the elements of the piece.